A Little Bit of Rebellion.

Harriet called me right as I got out of class.  She called to let me know what’s up with her new painting.  It’s basically going to portray a rebellion and her main inspiration is the Untitled album by blink-182.  Just by talking about it I decided to go home and put it on immediately.  The production values on that record are so big and the songwriting is pretty much flawless.  When it first dropped in 2003 it was a huge inspiration to my life and even today that stands true.  And I guess the point I’m trying to make with this blog is that everyone has something in their life that inspires them… whether it’s a movie, a book, a friend, a song– there’s always SOMETHING that can make a person tick.  One of those things for me is blink-182.  They set me on the path that I follow today and I’ll never forget it.  I may find tons of new bands and get addicted to plenty of them, but you can never forget your roots.  You can never forget what made you who you are.

I write and play music endlessly because blink-182 gave me a voice.  I believe that I can achieve anything I want to and shape the world to my liking because Tom’s words empower me.  I feel that I can be a successful artist, music producer, and business entrepaneur because Mark is able to do it too.

Maybe it’s stupid of me to be so heavily influenced by a band. But at least I’m influenced by something.  Blink is just a firestarter for my passion– the celestial fire inside me is all innate and a blessing from God I nurture in my own way.  And with the way my life is going and the decisions I’ve been making as of late– that vision for the future is well on its way.  The blisters on my hand are telling me so.

I’m done trying to let the world around me figure itself out.  I’m making the decisions now.

A Rant About Good Ol Fashioned Music

Musical roots.  How lovely they are.  No matter where I go in my life, there will always be “classics” that got me on the musical road I currently travel.  And as technology evolves, so does music, blending electronics ever so intensely with classic instruments.  While this evolution is cool, I long for music that is simple.  That’s why the Foo Fighters kick so much ass- they rep the bass, drums, guitar sound that will always win me over harder than percussion manipulation and soaring synth parts.  That’s why Raditude owned me so much- it was downhome rock with no strings attached.  That’s why while listening to Flogging Molly right now, I got inspired to write this blog.

Look at David Gray- his biggest hit, Please Forgive Me, was as simple as bass, drums, vocals, and piano.  Yet as music evolved and he started adding more strings and stuff to his music, his popularity has assuredly gone down.  Did you even know he released a new album?

Look at Keane- as they got more experimental and added more layers to their sound, they certainly lost their fame.  Hopes & Fears, their most raw album, was the best selling and certainly most successful.

Even look at blink- when they got more experimental, the untitled album became the least popular release of theirs among fans.

While I do love Under the Iron Sea by Keane and the Untitled album is my second favorite blink album, I’m trying to write this objectively and just say… classical instrumentation is where it’s at.  Let’s see… here are a random list of albums that could fall under classical instrumentation that kick super hardcore ass: The Everglow by Mae, The Love of Life by Watashi Wa, Enema of the State by blink-182, Crisis by Alexisonfire, In Between Dreams by Jack Johnson, Whatever People Say I Am, That’s What I’m Not by the Arctic Monkeys, There’s Nothing Left To Lose by the Foo Fighters, Maladroit by Weezer, A Rush of Blood to the Head by Coldplay- shall I keep going?

I don’t know what I’m trying to achieve with this rant- it’s mostly just because I can’t sleep.  But seriously now- go back and check out the bands that don’t need electronic sounds or manipulation to sound awesome.  Up above are albums that can be played live and sound exactly the same because they’re good ol fashioned rock albums.

Anyways, I be done.  Need to try and sleep.

Goooooodnight.

p.s.- If I Ever Leave This World Alive by Flogging Molly.  If you don’t have it, get it.  It’s a musical library necessity.

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My Top 5 Lyricists

Last night, Erik, Joe, and I had an intense conversation about Lyricists.  Erik’s top 5 included Jason Mraz, Adam Durritz, Ben Gibbard, Chris Carrabba, and Damien Rice.  Joe basically took all night trying to decide his list and still got nowhere.  And then there’s me- I haven’t really thought about it much… but here’s my unofficial list.

1. Jarrod Gorbel (The Honorary Title)
2. The Receiving End of Sirens on their album “Between The Heart & the Synapse”
3. George Pettit (screamer, Alexisonfire)
4. Mark Hoppus (mainly for his efforts in +44)
5. Tom Delonge (mainly for his efforts in Box Car Racer)

This list is pretty expectant of me, but it doesn’t make it any less note-worthy.  Be sure and check out the mentioned artists’ work.

Coolest Moments In Music

This isn’t some list about events that took place in musical history… this is about actual sonic awesomeness that occurs in your speakers when music emerges from them.  I have no real motivation behind this besides the fact that I wanna let my ego run free and spend some time telling you exactly what music you should be listening to.  So here it goes! (Note: the order in which they appear do not signify classes of better or worse)

#1- the Bridge to Monkey!!! Knife!!! Fight!!! by Minus the Bear- This is the song that made me decide to do this list in the first place.  Whenever this bridge comes on, I always feel the need to not only blast it, but definitely give it my full attention.  And if I missed it while stepping out of the room or I was talking or something?  I will always go back and listen to it.  It’s THAT cool.  The simplistic drums combined with one fucking cool-ass palm-muted guitar riff is musical sex.  

#2- The Harmonies in Constant Knot by City & Colour- Really, this whole song is gorgeous.  When I played it late at night while on tour, my bandmates fell in love instantly.  A certain beautiful, melancholy mood overtook the van.  The thing about it that will honestly send shivers down your spine and make you crawl with goosebumps are the harmonies though.  The only other song I can think of that has even as good as harmonies is the song Somethin’ Special by Colbie Caillat.  

#3- Dallas Green’s voice on Charlie Sheen Vs. Henry Rollins  by Alexisonfire- It’s pretty much Dallas Green for the win today, ladies and gents.  While this song is fucking intense and super awesome to begin with, it’s when Dallas starts singing that depending on your gender you’ll either get hard as fuck or be soaked like a tree in a rainstorm.  I wish I could better describe this vocal phenomenon, but just take my word for it.

#4- the Explosive Bridge/Build-Up in Double Vision Quest by Minus the Bear- This song, on the whole, is right in between being mellow and a heavy hitter.  Everything up until the bridge is pretty mellow, however the airy, crunching guitars do signal a certain dark ominous tone in the chorus.  Then sure enough the drums start getting really heavy, doing a hot build-up rhythm.  The guitars are then being melodically chaotic, seriously preparing for something heavy as fuck.  At the most perfect moment everything just explodes- and I mean EXPLODES.  Shit goes crazy and we’re launched into a second half that is undeniably upbeat and rockin’.

#5- All of This by blink-182- Just listen to this whole song with good headphones on.  The amount of crap going on at once, pleasing your ears is incredible.  It’s the true point when you can say the guys of blink are masters of art.

#6- the Bridge on Plastic Bubble by ALO- Okay, yes, it seems that the bridges are the coolest parts of music… but that’s just how you write a song.  You write a great song that’s catchy and/or sends a message or something to get the listener to really connect with it, then it’s in the bridge you can let yourself be very experimental, hence why “cool” shit happens so often in bridges.  Listen to this one and notice a) that it’s an amazingly feel-good beat and b) the production values are amazing.  Everything is mixed perfectly- the drums, acoustic guitar, bass, and piano all feel like a music bed almost they’re so well put together.  It’s one of my favorite things to listen to ever.

#7- The Intro to Love Like Rockets by Angels & Airwaves- The instrumental intro is seriously one of the coolest things to ever exist.  I don’t even know what instrument it is that’s being used.  But you really just have to turn it on to understand.

#8- Keep On Pushin by BLKTOP Project- Just listen to this song.  It reeks of cool.  From the bass line to the guitar to the kick ass horn section, you’ll feel like a million dollars listening to this.  You may even throw on a dark suit and sunglasses just to enjoy this to the fullest.

#9- the Ending to Good Morning Kaia by BT- It’s hard to even try explaining just how evocative Good Morning Kaia is.  The whole song is pretty simplistic, with really only a minimalistic piano line driving it.  There are some ocean waves.. some stringed instruments ringing in the background every so often…  but then it’s the ending that erupts with distorted guitar and heavy, cinematic drums that really feels like a complete experience more than anything else.  The impact really comes from how well produced it is- everything sounding as seriously full as can be, but there truly are very few musical journeys that feel as profound as this.

#10- the Intro to Always Be by Jimmy Eat World- It’s a mix of two guitars and a perfect drum rhythm that makes this beginning to a rather solid song seem so fucking appealing.  

But okay, there are ten new songs you need to be listening to!  I’ll stop here for now.  For anyone reading this, if you’ve enjoyed what I’ve shared and would even go as far to say that you’d like more recommendations just leave a comment saying so!  I’ll happily add more to the list + make up new lists.  

Cheers!

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